Tickiet Price for Initernatonal Folki Art Fair in Santa Fe on July 1315

• Yuliana Anin Fuka/AHPADA
• The Weavers of Fatumnasi Village
• Indonesia

Textiles are important expressions of culture and condition in Indonesia and the people of Westward Timor produce an all-encompassing diverseness. The traditional textiles of the remote village of Fatumnasi stand up apart from others thanks to their vibrant colors and original tapestry weaving techniques.   Weaving is traditionally seen as a prerequisite skill for women, who learn…
Read More

• WomenWeave
• India

In today's global economy Republic of india'due south ancient arts of handloom and rural weaving are in jeopardy. Threatened by demographic shifts and economic stresses, young weavers are abandoning the craft and migrating to urban centers in search of better livelihoods. WomenWeave Charitable Trust supports women in handloom weaving by teaching them ways to make this traditional fine art…
Read More than

• Huichol Center for Cultural Survival and Traditional Arts
• Mexico

The Huichol Eye for Cultural Survival and Traditional Arts, known in Mexico as the "Centro Indígena Huichol," was founded past UCLA anthropologist Susana Valadez in 1977. Located in the remote boondocks of Huejuquilla el Alto, Jalisco, the non-profit was established to support the endangered Wixarika (Huichol) tribe every bit its members are forced to transition into…
Read More

• Gary González
• Colombia

The technique of lid weaving by the Wayúu people of northern Colombia has passed for generations from elders to children. Traditionally the hat is worn by Wayúu men and, increasingly, women; "Even the vocalist Beyonce ́s girl was spotted using one last year," exclaims Taller Centro Artesanal del Sombrero Wayuú founder Gary González. This association…
Read More than

• Tsuyo Onodera & Maki Aizawa
• Japan

Tsuyo Onodera, a main kimono maker, has been in the kimono industry for more than than l years. Together with her girl, Maki Aizawa, they have been making haori and hanten, kimono-influenced jackets and coats from denim, linen, paper, and cotton. Kimono are often worn in Japan for important public holidays and festivals and for formal occasions such as…
Read More

• Rosario Ratzán
• Republic of guatemala

Rosario Ratzán's colorful designs and intricate beadwork and embroidery are inspired by her begetter's heritage as respected painter of the Mayan Tzʼutujil community. Ratzán's mother, a master embroiderer and weaver of huipiles (traditional dresses), taught her the techniques handed downwards through her family. Later armed disharmonize fabricated traveling to the city to sell his paintings…
Read More

• Roman Zilinko
• Ukraine

"My artworks keep the tradition of the Ukrainian icon painting of the Carpathian region, which flourished in the 16th and 19th centuries," explains artist Roman Zilinko. Icon painting in Ukraine appeared with the Christianization of its territories over a chiliad years ago. Along with professional icon painting, there were likewise folk icons in the provincial…
Read More

• Pachan Premjibhai Siju
• India

For centuries the weavers of Kutch, the nomadic Rabaris, and the settled Ahirs worked together equally a sustainable network of weavers, dyers, and clients. Each ethnic community had a unique range of fabrics, with different patterns and colours reflecting age, marital status and occasion. Today most traditional weaving products, such equally dhabla blankets and women's…
Read More

• Olinda Silvano Inuma de Arias
• Republic of peru

Kené is an ancient fine art representing nature and the living civilization of the Shipibo-Konibo people of the Amazon basin. "Kené means 'designs' and is the name for the geometric patterns that identify my ethnicity," explains creative person Olinda Silvano Inuma de Arias. "Kené…likewise summarizes the worldview, cognition, and aesthetics of an entire people, their tradition and…
Read More

• Andrea Velasco + NGO Impacto
• Mexico

The Highlands of Chiapas is a region of outstanding cultural richness, its indigenous communities preserving the heritage of their pre-Hispanic ancestors through the traditions of complex embroidery and the backstrap loom (in which the weaver herself is a tension betoken on ane finish of the loom). Women from these communities are taught material arts from…
Read More

shookparpur.blogspot.com

Source: https://folkartmarket.org/

Bagikan Artikel ini